The History of Tate: From Sugar Cubes to Art

Sugar Sugar Sugar

Tate Modern Bankside
Tate Modern Bankside

Henry Tate was born on March 11, 1819, In Chorley UK. He died in Streatham, London on December 5 1899 at 80 years old.

Tate donated frequently and generously to various causes. Often the donations were made anonymously and to causes that were not in the mainstream of society.

He refused a title from the Crown on more than one occasion. When he again was offered one in 1898, he was told that the Crown would take offense if he refused again. He accepted and was made a First Baronet, Sir Henry Tate, on June 27 1898.

Tate and Lyle Sugar Cube Package
Tate and Lyle Sugar Cube Package

He left a grand fortune that essentially came from the sugar cube patent that he acquired from the man who refined the process and began producing sugar cubes in 1875, Eugen Langen.

The person credited with inventing the sugar cube was the Swiss born Austrian physician Jakub Kryštof Rad; March 25 1799 – October 13 1871. He had a five year patent on a machine that pressed sugar into cubes, the product was called Tea Sugar. The company was not successful and eventually went bankrupt.

A bust of Sir Henry Tate from the Tate Museums

The above mentioned German Entrepeneur, Engineer and Inventor Eugene Langen in 1857 while working at his fathers sugar refinery and after having received technical training at the Polytechnic Institute in Karlsruhe, invented a new method for pressing sugar into cubes which he patented. In 1870 he founded Pfeifer & Langen in Colone Germany, it is a family owned food company still in existence. In 1872 the patented process for making the sugar cubes was sold to Sir Henry Tate of Britain. The fortune and Art of Sir Henry Tate was the foundation for the Tate museums.

Tate Modern Bankside seen from across the Tames.
Tate Modern Bankside seen from across the Tames.

Tate Modern is housed in the old Bankside Power Station. It was built between 1947 and 1963. The design was by Sir Giles Gilbert Scott. Swiss architects Herzog & de Meuron re-designed it for use by Tate Modern. The museum opened in 2000.

Tate Modern seen from the Milennium bridge with the new Switch House in the background.
Tate Modern seen from the Milennium bridge with the new Switch House in the background.

Tate Britain in London is also a part of the Tate museums.

Apart from the museums in London, there are also Tate Liverpool. Tate St Ives is also included in the Tate family of art museums.

Tate Modern’s new Switch House

The new Switch House at Tate Modern in London designed by Swiss architectural firm Herzog & de Meuron.
The new Switch House at Tate Modern in London designed by Swiss architectural firm Herzog & de Meuron. View from the West side of the building with the river Thames on the left side (to the North) of the museum. Please note the reflections of the sun from the neighboring glass clad buildings.

In June 2016 Tate Modern opened the new Switch House building to the public. The new building houses exhibition spaces, a 360 degree public viewing deck on the tenth floor, a new restaurant on the ninth floor and a new members room on the eight floor. The architects that designed the new building were the same ones that redesigned the Bankside power station that opened in 2000, Herzog & de Meuron. Tate modern has many different well put together exhibits throughout the year. The permanent collection is also very interesting and it is free for everyone. If you plan on going more than a few times during your visit to London you may want to consider becoming a member, it is not too expensive and it gives you free access to all exhibitions. In addition you can visit the member rooms and it also includes Tate Britain across the Thames.

A panoramic view over the Tames from the viewing deck.
A panoramic view over the Tames from the viewing deck on the 10:th floor of the Switch House. Click image to see larger version in a new tab.

Tate Modern seen from the Milennium bridge with the new Switch House in the background.
Tate Modern seen from the Millennium bridge with the new Switch House in the background.

The Switch House from the other side.
The Switch House in the sun.

Tate Switch House
Tate Switch House

Looking up at the Switch House.
Looking up at the Switch House.

Staircase in the Switch House
Staircase in the Switch House.

I like this structure, from the top viewing deck to the bottom Tank spaces made from the old oil tanks that were used to store the fuel for the power plant when that was the purpose of  the building. It wouldn’t be wrong to say that the building has gone from producing power for the homes and offices in London to producing fuel for the human sole instead. The sweeping lines o the concrete contrasted with the black handrails and the light wood floors – beautiful in itself and then add all the fabulous art and it becomes just so super good! As far as newer buildings in London, I think this is really the cream of the crop – go explore!

Switch House interior.
Switch House interior.

Second floor of the Switch House.
Second floor of the Switch House.

Interior view of a corner of the Switch House.
Interior view of a corner of the Switch House.

The nice sweeping lines of the staircase in contrast to the angular elements in the structure. Also note the contrast between the harsher concrete and the warm wood flooring.
The nice sweeping lines of the staircase in contrast to the angular elements in the structure. Also note the contrast between the harsher concrete and the warm wood flooring.

View from inside the brick "laced" Switch House.
View from inside the brick “laced” Switch House.

Down in the basement between the new Switch House and the old Boiler House is the Tanks.
Down in the basement between the new Switch House and the old Boiler House is the Tanks.

The Tanks spaces at Tate modern.
The Tanks spaces at Tate modern.

The Tanks.
The Tanks, former oil storage tanks for the power plant.

xDominique Gonzalez-Foerster, Séance de Shadow II (bleu) 1998, in the Tanks allows the visitor to take part in making the art.
Dominique Gonzalez-Foerster, Séance de Shadow II (bleu) 1998. This exhibit in the Tanks allow the visitor to take part in making the art.